Saturday, August 30, 2008

[Ex]Band of the Week: Some By Sea


[2003-2006]
Some By Sea
Sounds Like: Orchestral Rock
Drinking Buddies: The Decemberists, The Arcade Fire, Death Cab for Cutie

Synopsis: Impassioned orchestral rock with a full, rounded sound.

Makes You Want To...: Play music; Be artistic; Sing!
Evolved Into:

[Myspace]
[Purevolume]




This month is one of old and new.
Voilà! is featuring bands that have broken up.
This week, the featured artist is Some By Sea.


As was discussed last week, the breakup of a band is not uncommon. In fact, it's eerily frequent if you really watch bands on a wide scale. It's hard to make it in the contemporary music industry. We may not often notice bands falling off the map, but it happens quite often. Take Blink-182 for example; I didn't realize that the trio had split up, as their label played it off to be an indefinite hiatus. Go figure. Between infighting, tensions with the genre or the art of making music, exhaustion from touring, or just a lack of inspiration, there are hundreds of reasons for bands to break up.

It's tough, on both the band and fans, when a group decides to call it quits. But it's especially hard when the band has barely got its feet off the ground, and the sky is the limit, when they decide to throw in the towel. Let me tell you a story about one of my favourite bands.

Their name was Some By Sea, and this humble quintet hailing from Tacoma, Washington, was a band of cheerful folks who had a lot of soul and a unique sound. They played a unique brand of orchestral rock, and mixed with the intriguing, inventive train-of-thought lyrical composition of frontman Chris DuBray, they found a loyal set of followers amongst the Seattle area. This is where it becomes a bit hard for me to describe something so unique and so gloriously soothing to the ears. Waves of sound from orchestral and electric weave, blend, and meld together with tales of the frank, and tales of the symbolic, all to form an extraordinarily one of a kind combination of expertly layered, effortlessly textured, infinitely superb music.

I'll be frank myself: I didn't find Some By Sea; they found me. One random Myspace message in 2005 has lead me to follow this band like a hawk, relishing in every single song they released. In that time, I saw them gain plenty of more fans, and even release their debut full-length album. They got rave reviews across the internet, comparing their lyrical styling to that of Death Cab for Cutie, while others touted their orchestral style to be similar to The Arcade Fire. Every song was better than the last, and every hint of news more exciting as they hopped the hurtles that all independent bands face.

Sadly, the days of Some By Sea came to a close in 2006. Chris DuBray later commented on the break up of Some By Sea in an interview with his next band, Ghosts & Liars. "It was more of a series of frustrating circumstances that lead me to decide I couldn't take it much longer. When we returned from our first On Fire! (Igloo) tour in April of 2006, we'd all stopped communicating to each other in any way that wasn't passive aggressive... Nothing that occurred from that point on ever felt 100 percent honest and healthy." With a lament to their endearing fans, they played out their last local shows, and parted ways.

Music wasn't out of the question for these folks. David Bilbrey has a record label now, Rural Wolf Records, and is currently a member of both Phantom Fireworks and Destruction Island. Chris DuBray and Rachel Bowman both moved on to form Ghosts & Liars quickly after Some By Sea; sadly, Ghosts & Liars has also retired as a band, breaking up in March of this year. But they still have a Myspace page, which features some of their excellent work. Rachel Lee Bowman has a solo project though, and has an album and some nifty demos on her Myspace. She also writes nifty entires in her personal blog all the time.


Some By Sea, of course, has a Myspace. They also have two EPs, The Saddest Christmas (which is officially sold out, folks... Ebay?), and Get Off The Ground If Your Scared, which you can probably find on Kringle Records. If you asked me to make a list of my all time favourite albums, Some By Sea's debut LP, On Fire!: Igloo, would definitely make the cut, released by SideCho Records, and is still for sale all over the place (like right here). If you asked me on a song suggestion, may I humbly recommend "Look What I Made Without Your Heart Getting In The Way" as - again - an all time favourite.

These folks were my first live concert, on the wet streets of a lowly St. Patrick's Day, on their last tour. Their music has inspired me when nothing else could. And Some By Sea is a group I will never forget.

Thursday, August 28, 2008

Wax On Radio Propoganda


If you're a regular reader, you may remember my feature of Wax On Radio. These guys have an excellent outfit, and released their debut record, Exposition, a couple years ago. It is an absolutely astounding collection of songs. But after the release, and some touring, Wax On Radio literally fell off the face of the planet. They ceased contact with the public. They stopped updating their Myspace. They let their website shut down. They were removed from their label's roster. They didn't even say if they broke up or not, offically. Wax On Radio was a mysterious "ghost band," leaving echoes of their previous work, and memories of a wonderful band that faded into the fog of the music scene, never to return.


...Until now.

When I was trying to get in contact with Wax On Radio for that article, I got no response from their former label or from them. But someone was reading my messages, so I was fishy, and decided to not say they broke up. Wise decisions, friends, for it seems that Wax On Radio have returned.

Maybe it's a trick of the light, maybe it's a vigalante, or maybe Wax On Radio has returned in a glorious statement of cohesion and commitment. Whatever excuse you use, Wax On Radio has become active once more, and are likely jumping back onto the contemporary rock scene without the support of a label. Flooding Myspace with a series of strange bulletins and videos, Wax On Radio wrote their first blog in eight months. Amongst other things, they had this to say:

"we have written over 40 new songs. 1 will be released on a split 7" with Big Science 10 will go on a new LP the rest passed the time, while we were making our way back to you."


I could say more, but I would do these fair boys an injustice. Read their latest blog here. Check out their Myspace, while you're at it. And check out that eerily interesting video! That's what I call some organized crime, indeed.


Wednesday, August 27, 2008

Video: Irreplaceable (Beyonce) - Gregory and the Hawk


I freely admit, one of my absolutely, single handed, most favourite things about music in general are covers. Covers of any kind will do. My iTunes is LITTERED with them, but they are so wonderful. I love the blending of styles, the blending of genres, and the cooperation of artists, especially artists whose styles tend to be seemingly incompatible. Take The Klaxon's cover of "No Diggity..." didn't expect that to happen. Or how about Ted Leo's combo cover of Kelly Clarkson's "Since U Been Gone" and The Yeah Yeah Yeah's "Maps." The Decemberists are notorious cover artists, and lest we not forget Obadiah Parker, whom got a name for his cover "Hey Ya" by Outkast, amongst others (like Radiohead and Björk).


Honestly I can't get enough. It takes a certain talent to really nail a cover - to make listeners of the original as well as those who may not necessarily been fans of the original to come together and appreciate the same song in a new style. So when I find a new cover, my ears perk up very quickly. Beyonce's been covered here and there already, most prominently in my memory by Snow Patrol. But if we may, I'd like to direct your attention to something a bit calmer. Meet Meredith of Gregory and the Hawk, and witness her excellent folk-styled cover of "Irreplaceable." Perfection.




Monday, August 25, 2008

Band of the Week: Miles Benjamin Anthony Robinson


[August 25 - 31]
Miles Benjamin Anthony Robinson
Sounds Like: Folk
Drinking Buddies:
Kevin Devine, Thao with The Get Down Stay Down, Simone White.
Synopsis: Soulful folk and a crisp, classic sound.

Makes You Want To...: Listen to vinyl; Clap your hands; Sing.
[Myspace]




One week, one band. You know the drill.
This week, the featured artist is Miles Benjamin Anthony Robinson.



You know that old saying, "It's not about what you do, but how you do it?" Music can really reflect such adages as this one. It's one thing to play music, certainly. It takes plenty of talent, and skill, and knowledge, and drive, and determination, and many, many other adjectives. It takes dedication and diligence to sit around day in and night out, crafting songs that lyrical come from your heart and musically come from your soul. But think of how many folks have actually done that. Think of how many folks have actually spent those days in and nights out crafting music for the greedy public's ears.

The frank answer is that the number is quite astronomical. Which brings us to the harsh reality of what Voilà! is covering this week: some bands don't quite make it. If you didn't catch Voilà! on Friday, we had our first in a series of featurettes on long since past bands, last week, Test Icicles. Hundreds of bands make no impact on the music scene, but my question is, why does Test Icicles stand more prominently? Why did Voilà! feature them first, and not any of the thousands of other defunct musical outfits?

"It's not about what you do, but how you do it." Test Icicles didn't just make music. They didn't just perform lives shows. They changed music. They tweaked it in all the right places, leaving impressions that remain apparent to this day. They didn't just make their unique brand of sound, but they expressed it, and have a story to tell at the end of the day. It's not about what they did to enter the music scene, or how they changed it from the inside, but how they did it all.

Miles Benjamin Anthony Robinson. Yeah, he has a ton of names. Yeah, he hails from Brooklyn. Yeah, he did a few recordings here and there with some band called Grizzly Bear. But what makes this guy so great? What makes his usually loud, mostly electric, yet absolutely nifty, catchy folk rock jangles so special? What makes his sometimes slipshod, fuzzy, blaring, energetic live performances so unique? What makes Ben Robinson Miles Anthony........ wait, I mean Miles Benjamin Anthony Robinson... any different from the fusillade of folk artists that we, as listeners, are bombarded with on a daily basis? What makes this guy so special? "It's not about what you do, but how you do it."

Akin to the loud, wild, rambunctious style of 90s indie-rock icons, Pavement, Miles Benjamin Anthony Robinson lays down the law in steady, rhythmic folk songs that tantalize any listener that comes to close to the melodies, drawing them in, and having them asking for second and third helpings. His DIY style offers for grainy recordings of astounding musical prowess and lyrical composition that makes Jack Johnson's pop-centric singles just seem silly.

But the treat is with Miles' live performances, where he truly shows how one rocks out. It's not about what he does, but how he does it: with wild singing over eclectic songs, Miles doesn't only take all the love he's put in his music and make it audible, he makes this love and his soul visual for the crowd to see and appreciate in its entirety. Somewhere between the verses and the solos and the inane guitar strumming and drumming, there's a whole lot of love shining like a diamond lost amidst the busy New York City streets for far too long.


Miles Benjamin Anthony Robinson is presently making his rounds 'round the Big Apple. But with the end of August comes a change, as Mr. Robinson and company embark on a epic tour of the States until the beginning of October, hitting everywhere from Chicago to San Francisco along the way. Miles has his debut self-titled album for sale wherever you can find it (may I humbly suggest Insound?). He's also performed on Daytrotter, where he has some excellent recordings, some of which involve unreleased tracks, others which involve Bob Dylan covers and broken guitar strings. And of course, Miles has a Myspace, where he offers a slew of live performances which are every bit as unique as he is.

Miles leaves his impression by his style and his uniqueness, and stands out amongst his peers as the better man. With that, I bid thee, dear reader, adieu. More to come on Friday!

Friday, August 22, 2008

[Ex]Band of the Week: Test Icicles


[2004-2006]
Test Icicles
Sounds Like: Art Punk / Noise Rock / Experimental
Drinking Buddies:
Death From Above 1979, Pterodactyl, You Say Party! We Say Die!
Synopsis: Making grungy grotesqueties of music audible.

Makes You Want To...: Wild out!; Mosh; Rebel.
  • Evolved Into: Lightspeed Champion
[Myspace]
[Fake Myspace]



This month is one of old and new.
Voilà! is featuring bands that have broken up.
This week, the featured artist is Test Icicles


It's one little phrase - a train of thought - that I follow as an avid music listener. An ideal that I pass on to fellow music listeners. You aren't truly a music buff unless you've seen a band come together and fall apart. There are plenty of stories of music superstars who's names are lined in gold internationally for all of eternity. Then, let's face the facts, there are some who just don't make it. Be it arguments and infighting, money problems, touring issues, or the prospects of life outside the music scene, there are many factors that can bring bands to their knees, and possibly their timely passing.

But if they make their mark, not permanent, but thorough, strong, and defined, they live in our hearts and music libraries forever. Some bands stay a whisper amongst the scene. Some fade into the limelight. Some inspire hundreds of bands to follow, or what's more, form into new and improved outfits. This month at Voilà!, we'll be honouring these bands that didn't make it, who's music still lives on.

With that, let me introduce a humble trio from England. They are Test Icicles, and they are a notoriously invigorating, wild, art-punk group which invigorated the English rock scene. If you're hoping for another Scottish-esque Franz Ferdinand, or a new twist on Bloc Party's style, you're barking up the wrong tree. This tree is jagged and juts out at wild angles, twisting everything you know about music into tiny pretzel shaped circles before smashing an electric guitar to pieces over it.

Test Icicles shine in their odd, eclectic, possibly deranged, but absolutely phenomenal blend of genres. If you can call this musical smoothie from hell a blend; compacting hip-hop with thrash,
electro with punk, and/or post-hardcore with dance-rock, Test Icicles seems to be more akin to destroying the definitions of of genres rather than defining them. With a edgy, disoriented, grungy, rigid rhythms, layer upon layer of feedback and buzzing, blaring, bleeding guitars, and vile, sketchy but oh so insane singing/screaming from every band member, Test Icicles brings a convoluted, wholly unique sound that is very difficult to find anywhere else.

Of course, Test Icicles was very short lived. In 2006, two years after their inception and one year after their debut album, the band had this to say in an interview with NME: "We were never, ever that keen on the music. I understand that people liked it, but we personally, er, didn't." Wrapping up a tour throughout the UK, Test Icicles through in their musical towels and bowed out gracefully. Since then, the trio stands as a testament for twisted musicians everywhere who are looking for something wild, with a little less sanity and a little more thrill.

Not all of Test Icicles has dispersed though. Mr. Devonte Hynes happens to have an alias: Lightspeed Champion, native of Houston, TX, and quirky pop-folk artist formally signed to Saddle Creek Records with the likes of Bright Eyes, Cursive, and Tokyo Police Club. Then there is Rory Brattwell, who is currently rocking with his band KASMs. But I digress, Test Icicles still make a steady impression with their debut album, For Screening Purposes Only, which debuted back in 2005. There were several singles here and there, released intermittently over their years playing, but their last work remains Dig Your Own Grave, Test Icicles farewell album. Of course, they still have their Myspace, but as far as music goes, they seem to be sort of lacking. I suggest hitting up this fan-created Myspace for some true tuneage (may I humbly suggest "Sharks"?).


One down, but we have three more musical funerals to celebrate.
Have an excellent weekend, reader; we hope you'll return again.

Thursday, August 21, 2008

The Voilà! Music Omnibus (I)


I try to stay on top of the music world, at least from my point of view, as thoroughly as possible. But I freely admit, sometimes the music scene gets carried away, and will unleash more stuff than I can keep track of, or have time for. It's not exactly hard work to keep a music blog up, but when one has to maintain a professional/social/family life as well, I must admit, sometimes I can't report everything to thee avid readers.

Which is why this new segment has spawned. Meet the Voilà! Music Omnibus. Take a ride on our little transit system, reader, as we drive you down the streets of the music scene; a scenic tour for your eager ears of the little happenings here and there, or the mentionings that weren't mentioned. Be it band break ups, pre-album gossip, new songs, or new tours, you can find it all. Just order up one ticket with the Omnibus! Here we go!









As Per The Usual
Nightmare Of You's Latest Demos
Now this is just silly, guys! Slow down! I can't keep track of all the new music; it's ridiculous. Nightmare Of You asked me to listen to them on Myspace before their signing to a label and the debut of their first album. Now, a BANG! EP later, they're preparing for their upcoming sophomore album by unloading a ton of new material on their Ourstage account. I can't keep up with it all! But you can: check out the latest NOY song by Nightmare Of You's page right here.




It's Official...
The American Dollar's Lastest Album Released
It's been a while for listeners, but FINALLY!, the post-rock duo The American Dollar have released their latest album, A Memory Stream. The band promises us some more new stuff soon as well, so I suppose we'll be patient and see. In the mean time, snag A Memory Stream for yourself on iTunes or on Amazon right about now. And drop by their Myspace for some of the new material, as well as a few other lovely tunes.



Welcome To The U.S. of A.
Lykke Li's Debut Album Is Stateside
You've anticipated... You've patiently waited...You've streamed countless performances and awesome indie-pop hits from the eclectic Swede, Lykke Li. And finally, all that patience has payed off for those of us USA'ians. Lykke Li's debut album, Youth Novels, has finally debuted in North America, and should be at fine retailers, as well as online outlets (like Insound!), as of yesterday. Let excitement ensue, please.




Demo's Galore
The Story of PlayRadioPlay! and the New Material
Maybe he's just trying to annoy me (unlikely). Maybe he's trying to humour me (possibly). Maybe he's just been busy lately (definitely). In any event, Dan Hunter, formally PlayRadioPlay!, has just released his latest demo, "The Newcomer Of Seven Years," for free download on his Myspace yesterday. That's on top of his current tour with Secondhand Serenade and My American Heart, which is just about to wrap up, right before his next tour with Family Force 5, lasting until Halloween. Drop by his Myspace, say hi, and check out PlayRadioPlay!'s music from their latest album, Texas, as well as a brand spankin' new demo!



You Say Wizards! We Say Justice!
Brand New Wizard Rock Compilation Aids Marriage Equality
Oh, those silly wrockers. As if it wasn't insane enough that some of the biggest names in Wizard Rock wrocked Chicago to its knees at the massive wizard rock festival, Terminus, two weekends ago, a shining beacon (AKA: Lumos) comes to light the way to brand new music. Wizards and Muggles Rock For Social Justice: Volume 2 has just been released to the public, and is available on iTunes. Hard copies won't be around 'til Christmas, but you should certainly snag this now. Not only does this compilation feature the likes of Harry and the Potters, The Whomping Willows, Gred and Forge, Oliver Boyd & The Remembralls, and The Nifflers, but all proceeds go to The Harry Potter Alliance and Marriage Equality Rhode Island, who are trying to make a difference in our silly world. Search "wizards and muggles" on iTunes, or head over here for more information!



Honestly Bored
Marry A Thief's Latest Demos
Marry A Thief have been busy cookin' up a meal for their listeners. As if it wasn't tasty enough to know they were whipping up brand new material, and performing locally around the Carolinas, Marry A Thief has deigned it fit that we hear a little. They remixed their song, "Every Little Star" with friend Aaron Robertson, and have also released a computer-electro new song, "Honestly Bored," both of which are up for your listening pleasure on their Myspace.





Last stop friends. That's it for the Omnibus' first go, and I say, it seemed to be quite a good one! Keep your ear to those speakers, but fear not! Next time something slips by the wayside, The Music Omnibus will be here to catch it to you, and show it off in style.

Tuesday, August 19, 2008

Band of the Week: The Cool Kids


[August 18 - 24]
The Cool Kids
Sounds Like: Hip-Hop / Rap
Drinking Buddies:
Cadence Weapon, Mos Def, Young Gunz
Synopsis: The diabolical duo of rowdy rappers from Illsville, Illinoise.

Makes You Want To...: Break it down; Preach; Freestyle.
[Myspace]




One week, one band. You know the drill.
This week, the featured artist is The Cool Kids.


Music is a culture, and our cultures - not to begin mentioning our subcultures - are all directly influenced by our musical taste. That's my take, anyway. You can see it everywhere. Here's the kid rockin' some girls jeans with a wildly coloured Chiodos shirt, with beat up and torn Converse and dyed-black and straightened hair which overcasts his eyes. And there's the dude who is rockin' some freshly shined, sparklin' white Adidas, a basketball cap tilted to the side that matches his fresh maching jersey and baggy khaki-coloured Dickies. And how about the guy who's struttin' down the street with some black, thick-rimmed glasses, a plaid flannel shirt, some jeans that look older than him, and some bowling shoes.

Different styles for different tastes. We hear the blend in our music all the time: the blend happens somewhere between Ted Leo covering Kelly Clarkson, Vampire Weekend mentioning Lil' Jon in "Oxford Comma," Islands working with Busdriver, !!! covering Magnetic Fields and Nate Dogg on the same album, The Decemberists covering John Denver, Thao Nguyen covering Aretha Franklin. Somewhere in there...

And let us carry ourselves away, shall we? Example: take a look at Gwen Stefani. She worked with Pharrel Williams of The Neptunes. He's reknowned for working with the biggest names in the rap biz, including Kanye West, Jay-Z, and Snoop Dogg. He also recently was in a Converse advertisement-meets-music video with Julian Casablancas of The Strokes, where Albert Hammond Jr. got his tenure in the music industry, and is now rocking for huge crowds after the recent release of his latest album, ¿Cómo Te Llama?. Full circle, from rap to rock.

I could compare and contrast genres all the live long day. But the general idea is that anything in any genre of music influences the entire spectrum of music. Thus, to fully appreciate music, one must enjoy the entire spectrum. Thus, we come to today's featured artist: The Cool Kids. It's one thing to boast the name, but if you're going to call yourself cool, you better live up to it. The Cool Kids represent flawlessly.

With the dual rapping skills of Mikey Rocks and Chuck Inglish, The Cool Kids lay down some of the hottest raps to blare out of your speakers. The beats are flawless, and The Cool Kids set up an awesome groove with every single song. And their expertly crafted repertoire shines with accolades. Why yes, they did tour with the famous, infamous MIA, and they will be on the 2008 setlist for Rock The Bells Festival. And if you didn't catch them on HBO's Entourage, maybe you hear their song while shooting some hoops in NBA Live 08. Not to even mention their making Rolling Stone's Top Ten Artists to Watch for 2008. Y'know, they're here and there.

Speaking of here and there, The Cool Kids are wandering down to Austin and Dallas, Texas for a couple shows before rushing back up north for Rock The Bells. Then of course, they just released their latest album, The Bake Sale (EP), back in June. ...Well, they call it an EP, but it definitely features ten of The Cool Kids latest jams. They also broke it down with some beatbox sessions on the guerrilla internet outfit, Black Cab Sessions. And of course, they have a Myspace.




Finally, Voilà! has inherited a new writer! Everyone say hello to Ezra, drummer and lead singer in his outfit The Epitaphs, because he's quite great, and probably much more addicted to The Decemberists than I am. You can check out a couple of concert reviews about aforementioned musicians with names inspired by Russian revolts right here. And don't forget Cullen's short essay, over here, and our local singer-songwriter's latest song on his Myspace. Now if you excuse me, I'll be listening to "What Up Man."

Be sure to drop by on Friday for a little surprise.
'Til then, reader, peace, love, and music. Have a nice week!

From Classics to Indie: A Memoir of a Musician

"The heavens at my birth intended me for stardom, rays of light shone down on me and all my sins were pardoned."


My life begins in darkness. I'm a struggling entity, searching the furthest depths of unknowingness ever imaginable. Of course, we all begin this way. Our first sights are lost with time, as are most things, our first tastes, our first birthday cake, the first time we pick up a crayon and scribble nothing onto a sheet of construction paper. Our parents savor these moments, tack them up on walls, refrigerators, talk up their friends at dinner parties. The shroud of memory that is our childhood is only survived through video cassettes, fading polaroid captures, or perhaps the occasional glimpse in our minds.


The Sound


My dad had a really nice stereo when I was growing up—like, way too expensive to exist in our house, something that made the rest of our possessions feel like crap. He wasn't as extreme as my uncle was, the one that had an entire room in his basement, each wall from floor to ceiling, covered in C.D. racks and vinyl records, but he did have an entire closet full of tapes, C.D.s, vinyls, movie cassettes, and everything else one could imagine had the capability of containing some sort of sound and/or video recording. I can remember the names of bands on cassette tapes that sat eternally on his tape rack overlooking the couch—names of bands I didn't even know most of, but I remember them cause I would just look at them for hours. Cheap Trick, Led Zeppelin, Moody Blues, Grateful Dead, The Police, The Sex Pistols. The house was pretty much attuned with his stereo, always something playing, whether it was classic rock, jazz, or whatever, I find most of my musical taste directly aligned with what I heard as a kid. Led Zeppelin remains today one of my favorite bands, despite being primarily in the 60s and 70s, the core of which no longer is alive (John Bonham, quite possibly the greatest rock drummer to ever grasp a pair of sticks), and they have inspired me amazingly in the music I write for my band today.


It was probably Elton John—the first music I paid attention to. I remember he was on the Muppet Show, his frilly glasses and top hat. That sort of thing seems to grab the attention of a 6 year old. I knew all the lyrics to his songs, I knew the piano parts (or at least what they looked like, I couldn't play piano, and still can't very well). I would sing them all the time, around the house, during school under my breath, at the dentist's (that nitrous stuff would do weird stuff to me when I was young...). Now, I don't still know all his song's lyrics... just some better than others, my memory isn't that good.


Elton progressed through my dad's collection—Costello popped in there, along with Billy Joel and Tom Petty. My mom was into Paul McCartney a lot, so I heard a lot of Wings and Beatles as a kid. I loved the song "Elephant Talk" by King Crimson, still to this day it's probably the only song of theirs I've heard more than once.


I don't claim to be completely absolved of stupid moments when it comes to music. In spite of picking up the drums in 3rd grade, it was hard for any elementary schooler to avoid the likes of boy bands and pop music on the radio. All I can say to defend myself is that I have completely abstained from the radio in the last 5 years, which is hard to do, but well worth it. Where was I?


The Big Black, Round Thing that Made Really Cool Sounds


It was a cultural arts exhibit thing that our school had every year—displaying the different mediums used all over the world. In the gym, a local drummer had set up an exhibit full of the percussion instruments I would come to cherish in the years to come—apart from the typical trap set we all know and love, there were xylophones, wood blocks, cowbells, congas, bongos, gongs, and everything else a musically starving kid could ever dream of. My life then was defined, I was meant to be a drummer.


I know it was early to make this decision, but my parent soon bought me a drum set for my birthday, I got lessons from the same man behind the exhibit at school, and within a year I was learning from a recording artist at a real studio as a part of a mentorship for my class. I recorded a few songs, both drums and vocals, and even fooled around with a synthesizer/keyboard when he was finalizing the recordings with his friend. As far as a cool experience could go, that was probably the coolest thing that happened to me before High School when I got to play basketball games and jazz concerts. My drum roots are in jazz, cause thats mostly what I learned from my teacher, along with some funk beats, but mostly different styles of jazz. I played with the jazz band in Middle School for one year, but it really wasn't my thing at the time, whether it was too basic as most Middle School music was, or I just wasn't ready for it, I gave it up for the time being.


It was Middle School that I found confusion in what I was musically into. I think it wasn't until 7th or 8th grade when I discovered System of a Down, which acted as a gateway to the newer music scene. The new rock radio station played cool stuff most of the time, I got into Queens of the Stone Age, and Foo Fighters, too bands I still listen to currently. Audioslave probably came in 8th grade. I was attracted to these bands because of the drumming. They all have really good drummers, John Dolmayan of System, Dave Grohl of Foo Fighters, etc. I needed this, to discover a scene of music, even if they were main stream, on my own, and not because it was what my dad played on the stereo all day. I needed to find my own meaning in music, rather than what I had been told my meaning was.


The Annoying Band Dylan Played That I Eventually Got Obsessed With


I was at Peter's house, a friend of mine. We were filming a movie for class, although it didn't possess much factual basis (our movies were meant to entertain not enlighten). Dylan was there, I think he was in the movie too, for some reason. Well anyways, he was into a lot of indie music, he still is, and he would just play tons of weird shit none of us knew, and he would marvel at the amazingness of each song (yes, I know amazingness isn't a word, shut it). This became a moment that would change my life forever. I think Dylan liked the song cause it had the word knickers in it... or something like that. I thought it was annoying. I didn't know it then, but I would eventually come to hum this song to myself, perpetually fixed upon it, determined to memorize its lyrics, find the band that sang it, see them live perhaps. I think I talked to Peter about it later, and it turned out the band was coming to the WOW hall (our local concert hall) sometime that year. This was back when they were small time, we managed to squeeze our way to the front of the room to see the band closer than any others in the place. I was in awe the entire show, although I didn't know one word of one song until they played the one I had heard. It's called Billy Liar—"Billy Liar's got his hands in his pockets, staring over at the neighbor's, knickers down. He's got his knickers down."—the hit song by the Decemberists, my favorite band even to this day. I saw them live in March of 2005, my sophomore, knowing only one song. I raided my friend's computer for all he had of them, downloaded (purchased of course) their newest album the next week when it came out, and by the time they came back to town that september, I had memorized every song, every note, everything that one could possibly memorize about a band. Colin, the frontman, played a live show over the summer that I had downloaded the music from, and he played new songs then that no one had even heard, and when the first note plucked in the concert I attended in the fall, I knew exactly what song it was. My friends were shocked at my obsession (more like... "dude get a life"), but I knew that it would someday pay off, I would find others who shared my devotion. I've seen them 5 times to date, two times on two consecutive night. I'll probably go to every show of theirs that I can until I die, or can't move. I probably won't get someone to move me to a concert. And they'll all be dead before I can't move anymore...


The point is that the band opened me to a whole new world of music, the indie stream, out of which so many amazing and inspiring bands I have discovered. Death Cab was probably first, since they were pretty popular coming out of the indie scene to a major label. The rest was an avalanche falling down upon me, I wouldn't even know where to start. I only know where it's gotten me: my favorite bands mostly consist of indie groups from around the world—Spoon, Iron & Wine, The Shins, Nada Surf, Ben Kweller, Mountain Goats, Say Anything, Riley Kiley, Arcade Fire, Arctic Monkeys, Secret Machines, etc. I ditched the radio, found it hard to trust. It was much more reliable to find a band online, or what friends recommended, and just listen to all you can of those bands.


These days, I listen to those bands aforementioned, a lot of Pink Floyd, various mainstream and indie bands, and all of this is pooled into the music I write for my band, The Epitaphs, for which I sing and play drums. You'll find my tastes often eclectic, and sometimes predictable, perhaps you may even disagree with it, but that's why it's MY taste, and not yours. We each have our own histories in the music scene, events that occurred that brought us to listen to whatever we listen to, things that shaped our inner ear long, long ago. You'll probably also find it that there isn't music I won't listen to—just because I hate country music, doesn't mean I didn't give it a shot. It isn't for me, thank god. I like what I like, drop me a line if you want to talk music, or anything really. I'll keep tabs on the bands I read of here, and try to listen to as many as I can. My life is pretty much defined by music, and since my life is still changing, and growing, I have to spend my time doing something.


(P.S.) I just wrote this in like an hour...


--April Marches On...--

Monday, August 18, 2008

Commercialization Of Music


I've realized that I am truly against this hardcore commercialism of music.

I mean, I totally understand putting up a flyer for your band's show, getting the word out to your fanbase, but I think that what makes music what it is are the motivations of the people that are making it.

When I play a show, I don't want to see a crowd full of "potential fanbase". When I play a show, I want to make a connection with myself and whoever is listening. I consider a show a success if even just one person in the crowd is really feeling a song I'm playing. If even one person is listening to a song and remembering something that happened to them, or realizing that they have felt the same way before, or even if someone is listening hard enough to critique me, I believe the show is a success. I'm not into making whatever music will get me a few bucks and some chicks to follow me around. If those are your motivations, that's totally fine. I think your music will reflect that.

I pour my heart and soul into my songs. Even if I am playing for a crowd of people, I think what I'm doing is an extremely personal endeavour. My ideas about music are entwined with my religious views. I believe there is a connection between all human beings, one that we can't fully explain, one that we attempt to explain through religion. The ideas that are put in front of me about God or religion as an explanation for things we don't understand do not satisfy me. I don't feel fulfilled. Many people say they feel a connection with God. I have friends that say they can speak to God, have conversations with Him, He guides their lives. I would love to have that kind of faith, to feel that kind of connection so easily, but its simply not there.

The closest thing to this kind of connection, for me, is music, or any creative art form. Two people, devoting every ounce of emotion in their bodies and feeling, for even a moment, at complete peace with one another. I think that's an amazing thing, and once I had experienced that, I no longer saw any reason in not trying to recreate it.

So here I am, making music.

That is why it really bothers me to see performances reduced to sideshow attractions, numbers on a page, financial income, generic noise packaged and sold in bulk to hungry consumers who will hopefully throw their money at t-shirts and refreshments at an impersonal mockery of music called a show.

I guess I just have to be careful what I pursue.

Sunday, August 17, 2008

Reviews of Olde

To preface my post, these are two small reviews, that I wrote merely for myself, of two separate Decemberists concerts in the last few years. I haven't edited them at all since I originally wrote them, and seeing as I wasn't professionally trained, or at least fully learned in the skills of English at the times, specifically the first review when i was sixteen, they might not always enlist a perfect use of language and grammar. For this, I sincerely apologize and beg of you to enjoy them in spite of the small mistakes. (If this preface has not deterred you from the page, please continue.)

12 September 2005 -- April Marches On: A Review of the Decemberists

It was so calm, quiet, and dark. All the crowd was waiting, while the opening band played. As more and more people began to file in, I became more and more anxious, knowing that they would soon be on the stage. The room was over half full now, but it wouldn't stay that way for long, as the minutes pressed on. Eager to watch them play, I left the room, still waiting for my friends to arrive. Now no longer alone, I begin to recall all the knowledge of the soon to play band, hoping it would ease the pain in the pit of my stomach. But to my dismay, it did not cure the ailment of impatience. Now my restlessness was seething, but my friends arrive one by one, and my pain is recognized. Now another fate is thrown upon me. My seat is whisked away, and I am left standing alone, with little but a waterbottle to call my own. But my pain is felt no longer, as they come onto the stage, and the room gets louder and louder every second, as everyone starts to notice their holy presence. The crowd shifts closer together, as those in the hall and lobby barrel in to join the applause and cheers. My heart almost skips a beat as the low guitar string bellows, initiating a saga of a song that warms the very nerves on my toes. "Here upon this pillow... made of reed and willow..." Twenty minutes later, as the last chords of the song are strung the same calm voice echoes throughout the room: "...and now she goes wandering... home..." The cheer that erupted afterwards will forever be imprinted on my soul. On and on the songs filled my joyous ears. "From all atop the parapets blow a multitude of coronets... melodies rhapsodical and fair... and all our hearts afire, the sky ablaze with cannon fire, we all raise our voices to the air..."; "It was ten years on, when you resurfaced in a motorcar... and with the wave of an arm, you were there and gone..."; "But I am dead and gone and lying in a church ground, but still I push my barrow all the day..."; "I am an orphan, an orphan boy. I've known no love, I've seen no mother's joy..."; "But you, my brother in arms... I'd rather I'd lose my limbs than let you come to harm"; "Some they crawled their way into your heart to rend your ventricles apart... this is the story of the boys who loved you..."; "The heavens at my birth intended me for stardom, rays of light shone down on me and all my sins were pardoned..." The crowd roared in awe, and wonder, and before I knew it, amongst all the cheering, singing, and gleeful crying, I was walking home alone with all the notes in my mind, forever over, yet forever just beginning. The memory of this night will always remain in my heart, because after everything else is abolished, destroyed, and ash fills the land, still april marches on.

(The Decemberists, live with Norfolk & Western, at the famous McDonald Theatre, Eugene, OR, 9/12/05)

----------

6 May 2007 -- Music Enthralled With Antics and Amazement: A Foreword on a Decemberists Concert

First, before entering the McDonald Theatre prior to the show, one must realize that to attend a Decemberists concert, in Eugene, OR, mind you, is to be unprepared about what could happen. At most concerts the band rarely speaks rather than to sing their songs and to say thank you and good night. But I think Colin Meloy has some sort of brain disorder, or blessing, that stimulates him into conversing with the audience at an almost minutely basis. Even during songs he will do this, such as Perfect Crime #2, in which he instilled a dance competition between avid dancers among the crowd in three separate circles throughout the hall. Also, other things can be expected in a Decemberists concert, such as mid-show calisthenics, or breaks in which the entire band lays down on the floor and pretends to fall asleep, during which they incur a magnificent silence to the crowd. They have previously had two members of the group high-five the entire front row of the audience to the sounds of folksy tunes, and have entertained us with magic tricks while tired of playing music. So when one attends a Decemberists concert, one should not be alarmed to experience antics such as this show, when Colin had a fan strum his guitar while he held out chords, or when they had a Eugene born vocalist guest sing a country and western tune about a "three-way", or when Colin borrowed a camera from an audience member and took pictures of his band while playing, and even a sound engineer waltzing on stage, or even when the entire band is engulfed by a whale on stage, only to "slip between its teeth." Because this is what to expect when attending a Decemberists concert. Oh yea, and a bevy of outrageously amazing songs written by a pure genius of words, half of which may be longer than six, seven, ten, or even eight-teen minutes long. My warning to you is this: do not think about going to a concert of the Decemberists if your mind is not prepared to be blown, and your socks are not prepared to be rocked off. Because they will be, and you will be sorry. That is all.

(The Decemberists, live with My Brightest Diamond, at the famous McDonald Theatre, Eugene, OR, 5/6/07)

--

Wednesday, August 13, 2008

Muxtape!





Hey everybody!

As you may have noticed by my post from last month, I love making mixtapes. They're just fun. Great stuff. And now, there's an easier alternative to the usual zip, upload, download, unzip, ta-da approach: muxtape.com. It's simple - create an account, upload songs, and anyone can access your mixtape and stream it. No downloading, no registering (to listen), no hassle. I've seen some pretty rad mixtapes. There's only one mixtape allowed per username, but if you'd like to make another...well, just make another username! I've found this as the most enjoyable and convenient way of sharing music with friends and other internet peers and such. So give it a try!

Here's mine!

Monday, August 11, 2008

Band of the Week: Ghostland Observatory



[August 11 - 17]
Ghostland Observatory
Sounds Like: Electronica
Drinking Buddies:
!!!, The Octopus Project, Matt and Kim
Synopsis: "An agreement between two friends to create something that not only heals their beat-driven hearts, but pleases their rock ‘n roll souls."

Makes You Want To...: Dance!; Sing!; Did I Mention Dance?!
[Myspace]




One week, one band. You know the drill.
This week, the featured artist is Ghostland Observatory.



So much has been happening in the last week! Did anyone go see Pineapple Express? Note that they name dropped Godspeed You! Black Emperor and The Shins. Then of course, there was the Olympics. Did anyone hear NBC featuring Explosions In The Sky when doing a review-report on the opening performance? I certainly did. And apparently Russia didn't read my article about peace and love and Peachcake, with all the craziness that's been happening in Georgia. So much going on in this big world, my friends. Sometimes we just need to hold our breath and forget. Not forever - just for a few hours - just for a few minutes - but, sometimes, we just need a breather.

Maybe, just maybe, I know who can help. We need one steady injection of music. Something strong - something with attitude - something that can get your feet moving like your life depended on it. Meet Ghostland Observatory. This duo rockin' and dancin' their way out of Austin, Texas, know exactly what they're doing. They have an objective: to please crowds all around with globe with their unique infusion of dance music and rock aesthetic.

I caught wind of these guys one summer ago, when they coaxed the entire crowd at the Wall of Sound Festival in Fort Worth, TX, to dance their booties off! I was not at all prepared for the intense live act these put on. It's about losing inhibitions and breakin' down to some grand music. If you can imagine an insane show all packed into a studio, thus into digital format, and thus out through your speakers, you'll understand that these boys carry the same energy in their recorded material. They are definitely a gem worthy of your listening pleasures.

Ghostland Observatory has three albums out presently, their latest, Robotique Majestique, which was released back in February (and ironically, which I just saw today in a music shop). And speaking of live shows, our dynamic duo is sporadically touring over the next several months. Though the list of shows is slim, hopefully your town is on the list. You can find their schedule, as well as an excellent selection of music, on Ghostland Observatory's Myspace. Now if you don't mind, I'll be dancing to "Rich Man." Don't wait up! Have a nice weak, fair reader!

Friday, August 8, 2008

The Black Cab Sessions


Oh, lovely, lazy, luxurious London. A city firmly rooting itself in music. I could sit here all day listing how influential this royal city is. Elvis Costello, The Who, Queen, Led Zeppelin, The Clash, The Police, The Rolling Stones... And those are just some of the DATED names. Basement Jaxx, Bloc Party, Kate Nash... I could go on. The point is, this modern metropolis that is littered with eras gone by has put more than its fair share of artists on the map. How do you show music listeners everywhere that London has still got life flowing through its winding streets with the breaklights of cars that flow like blood through the country's capital? How do you show the city already renowned for Abbey Road still has some life in it? How do you make a statement saying, "Hey world, check out London!"?

These chaps seem to have found away. By "these chaps," of course, I'm talking about the folks who run the Black Cab Sessions. These London natives have a non-profit hobby of videomaking. But not just any videomaking - their job is to film bands! But there's a twist (things are only interesting if there's a twist, eh?).

Here's the gist. Get a camera crew in London. Check. Now, find a great indie band. A bit more difficult, but we've got another check off the list. Now hail one of the classic black cabs off the London streets. Give them the heads up on why a band and camera crew, along with all their equipment and instruments, are invading said cab. Then, put all the ingredients together, and make some music! Check!

It's as easy, and certainly as unique, as that. The idea is to film some unique performances by exquisitely talented musicians while driving around London in the back of a taxi cab; there is one take filmed on camera, and all flaws, mistakes, and improvisations are fair game.

"We always hail the taxi straight off the street, which means the cabbies know nothing about the sessions until about five minutes before we start," the Black Cab Sessions informs readers whilst featuring London based band Fanfarlo. "Once we've pulled them over, we talk them through the slightly weird premise and explain how it'll all work. And right then, just as we've done that bit, there is always the moment. It's the moment when the cabbie pauses, ever so briefly, just for a beat, before giving us the verdict. Does he think we're complete jokers? Sometimes."

Keep in mind, I did mention this is a hobby. Black Cab Sessions is entirely non-profit; this is what "these chaps" do for their spare time! How much better do you get than a free and exclusive performance from some of your favourite bands? And these are their favourite bands, in fact, as the Black Cab Sessions are willing to deny those bands they would rather not be caught filming.

I know, I know, you're thinking, "So these are THEIR favourite bands? Probably a lot of boring local bands, right?" Well there's certainly a lot of local talent, but they're far from boring. The Futureheads, Hot Club de Paris, The Kooks, The Ravonettes, Lightspeed Champion... Are your ears perked yet? Cause those were only the bands out of the United Kingdom.

Black Cab Sessions really got international press when they featured a wonderful performance by Death Cab for Cutie. Then let's not forget the debut of Cold War Kids' latest song, "Dreams Old Men Dream" in the backseat of the taxi cruising down the London streets by night. And sometime after paying cab fairs with Man Man, Lykke Li, My Morning Jacket, The Cool Kids, Spoon, Okkervil River, Bon Iver, and The New Pornographers, they've racked up over 50 exclusive performances (and counting), and have documented quite a bit of the city landscape.

"On the whole, the London cab driver is a fine breed indeed. By and large they are game, up for it and just terrific sports." And there you have it! I've been following Black Cab Sessions religiously for a few months now, but they've been going steady and strong with frequent updates for the past year. You can check them out at the Black Cab Sessions [dot] Com.






Wednesday, August 6, 2008

"Music Killed Me" - I'm From Barcelona


Whoever said size didn't matter never heard of I'm From Barcelona. The 29-member strong troop of musicians out of Jönköping, Sweden, are ready and raring for the start of their latest tour at the end of September. And for good reason, as they are releasing their second studio album, Who Killed Harry Houdini?, this coming October! This is of course, after their debut Let Me Introduce My Friends, which met all sorts of critical acclaim.

In obvious anticipation and celebration, I'm From Barcelona released their second track from the album to the public, titled "Music Killed Me." Please cue the excitement for another bubbly pop hit in the I'm From Barcelona repertoire. You can check out "Music Killed Me" on I'm From Barcelona's Myspace. And don't forget to drop by I'm From Barcelona's website to snag yourself a free MP3 of the song!

Monday, August 4, 2008

Band of the Week: Peachcake


[August 4 - 10]
Peachcake
Sounds Like: Electronica
Drinking Buddies:
Hellogoodbye, Her Space Holiday, PlayRadioPlay!
Synopsis: Contents pressurized with ecstatic parties. Do not shake.
Makes You Want To...: Dance!; Protest!; Connect with your fellow man!
[Myspace]




One week, one band. You know the drill.
This week, the featured artist is Peachcake.


Last week I discussed certain topics pertaining to skin-melting heat and such. Guess what! It rained! That lowered the temperature a bit. Sadly, things are returning to the triple digit mark; the planet's resistance to this heat is futile at this point. Speaking of hot, all this temperature business is a hot topic (bad pun, I know) in the political field. Now that's a place where tensions are boiling (I'll stop eventually). Between Obama and McCain, words are flying like knives, candid candidate photographs are catching eyes like Britney tabloids, and the political field a battlefield at this point.

Music has been expressing political views for years, encompassing nearly every genre, every style, every instrument, and every lyric imaginable: from Jefferson Airplane to Godspeed You! Black Emperor; from The Beatles to The Blood Brothers. But admittedly, some of these bands induce politics with inebriation by mind-altering substances, while others... well, GY!BE and Blood Brothers can be just playing weird sometimes. Can't politics be a little more straightforward? Something for the common-man to raise their fist and boogie too? Why yes, there is.

May I introduce the one and only, Peachcake. Don't let the tasty creation they're named after fool you! Peachcake is a duo/quartet (depending on when you catch them) of exceptionally epic proportions, and I try not to use that phrase lightly. Rocking the house from Carefree and Cave Creek Arizona, Peachcake mixes up eclectic electronica for eager ears everywhere! Their beats are scientifically designed to make your body move, and their lyrics are custom made to make you party, love, take a friend by their hand, and say "Eff the man!" with dancing instead of obscenities.

Peachcake is an experience, another phrase I tend not to use too often. There are few words that explain exactly how prolifically Peachcake tours, which brings me to the next point. Their songs are splendid, and will have you dancing in seconds, but the real Peachcake experience is a live Peachcake experience. Peachcake is on the tail end of their Make Mixes, Not War tour, which has wreaked havoc and destroyed many a fine music venue across the country in the most fabulous and fun way possible. They even dropped by my town, Fort Worth, TX, to shake up The Ridglea Theater.

Their shows are flamboyant - their performances original every time - their celebrations truly profound. Words simply don't describe the Peachcake experience accurately. Their shows inspire the community of music-goers to band together, with the intention of coming together with love and peace in one massive party of the people. The intention is to lose your inhibitions and accept all the beautiful people that surround you on a daily basis; to join your strange friends and friendly strangers in acceptance and happiness.

I could easily go on for hours gabbing about how unbelievably awesome Peachcake is. But I believe any more said would be doing them an injustice. Peachcake already has the power to preaching to the people more proficiently than I ever will. I shall let them and their amazing music speak for itself. Peachcake is, as mentioned, finishing up their massive Make Mixes, Not War tour, which you can find out more about here.

This wasn't just some string of insanity in the safest form possible though. Turns out these boys are putting together their next release, What Year Will You Have The World?, which will be debuting in the next week (if I'm not mistaken)! They've already been selling tons of copies of their humungous compilation, The Greatest Hits Ever ...So Far, which has a collection of all things Peachcake. Peace, love, and Peachcake. It's a good political policy if you ask me. While I vote Peachcake for President in 2008!, I wish all you party people a wonderful week.

♥♥♥


Friday, August 1, 2008

Video: Black Cab Sessions - The Cool Kids


Here I am, minding my own business, trying to find some really obscure J-Pop from some place that sells in dollars rather than yen, when I realize, "Hey, I haven't been to Black Cab Sessions for awhile." The basic equation I use is...
  • Beautiful Audio : Daytrotter :: Beautiful Video : Black Cab Sessions
That being said, I ran over there only to find that the those British videophiles who commandeer cabbies have released their 50th session! This milestone was celebrated with the one (or two, rather) and only Cool Kids out of Illinois, some of the neatest rappers to hit the scene in the last year. Their intrument is the black cab, and this is their session of freestyling. Feel free to drop by the Black Cab Session's website to stream tons of other amazing artists, including Spoon, Death Cab for Cutie, Cold War Kids, and Lykke Li!



Black Cab Sessions - The Cool Kids
(psst! hit the play button. sometimes the video screen doesn't load by itself.)