Monday, March 31, 2008

Band of the Week: Yelle


[31 Mars - 6 Avril]
Yelle
Sounds Like: Electro / Indie-Pop / Dance
Drinking Buddies: Prototypes, Polysics, Ghostland Observatory
Synopsis: Dingue fille indie-pop avec un francais botte.
Makes You Want To...: danser, chanter, faire de la boîte
[Myspace]



This month, Voilà! is covering foreign bands!
Un jour, une ensemble. Tu sais la routinies typique.
This week, the featured artist is Yelle.


Okay, I admit, I got busy last week. No featured artist that week. But here's the treat: since you were so patient, this next month has a theme! It will be chock full of awesome foreign artists. Time to disregard the North American continent for awhile. Let's get a little culture and cool music.

Despite her popularity, which is quickly mounting after being featured by MTV-US, Yelle is still partying up like she has been for years. Yelle is a French electro-pop artist who is known for some wild, high energy new-wave pop for the post 2K society. Blazing with loud, raucous keyboards and fete-filled, sometimes profane lyrics, Yelle is the absolute party centre of Europe.

Yelle's style is very reminiscent of the Prototypes, also from France, who recently were featured in a Mitsubishi commercial here in the States (which is shockingly not on YouTube!). The difference comes in the effect; while Prototypes intend to rock their way to your heart, Yelle's music is incontrovertibly addicting to the body and senses, and if she doesn't have you singing along and dancing your feet off after a few minutes, well, maybe you should consider turning up the volume.

Presently, Yelle is preparing to embark on a trip back Stateside for a North American tour of epic proportions, spanning the US and leaking into Canada. Then, it's back off to the land of the River Seine for a comfy set of shows all summer long. Of course she has a Myspace. Yelle also has her debut album, Pop-Up, on sale at her international online store, and will no doubt be traveling with several nifty copies.

Saturday, March 22, 2008

Review: [self-titled] - Bam Bam


It's difficult to define "good music." People say consistently, constantly, incessantly, "I like good music. I listen to the greatest music. I'll only listen to the best music." But what is this good music that everyone's talking about? How do you define good music? I think one definition that everyone can agree on is: that good music can be listened to by a large audience and accepted, that good music can transcend our society's barriers, that good music breeds talent from talented, versatile musicians, and that good music is pretty damn fun to listen to.


Bam Bam, of Monterrey, Mexico, accomplishes all of the above, and do so fluently with the release of their brand new, debut, self-titled album. These fun folks play an eclectic style of progressive, but extremely textured indie rock with a Mexican flair. Regular readers will remember them from the article featuring them for South By Southwest. It just so happens that just before their march into Austin, they released their debut album to the public. And the results were fabulous.


First off, Bam Bam has a unique style in which the band can thrive with their creativity, molding amazing hits. They tease their listeners, giving their building, breathing album the powerful introduction that is "Oro Flash." Then it's straight to business with solid songs dipped in indie rock perfection. No gimmicks with these songs; Bam Bam keeps it simple with incredibly well textured songs throughout the entire album. Their style is fast paced and thorough, but not too eccentric and esoteric to deter the average listener. In fact, Bam Bam makes hits that are infinitely magnetic, drawing listeners from far and wide.

Secondly, they transcend our society's barriers. Oh, did I not mention? When I said Bam Bam is from Monterrey, I meant it. 100% of their songs' lyrics are in Spanish. While some have started poring through Spanish-[insert language] dictionaries or are ready to invest in the purchase to find the poetic meanings of these wonderful songs, Bam Bam's music is universal. The draw from catchy songs like "Trepebalcones" can have anyone dancing and dying to sing along, whether you're from the United States, Russia, or Japan.

Third, no band, especially one releasing their debut album, could get by without a little help from each other. Bam Bam is a group effort, and it shows in spades. The quartet uses every instrument in their arsenal, creating everything from slow moving wonders like "Si Viviera En Paris," hits that sound like they already sound as if they belong on the radio, like "Por Favor No Vuelvas A Nacer," and true finales, as shown in "Astrobilly."

Fourth, did I mention their music is pretty damn fun? Bam Bam has a solid run of seven incredibly strong songs that will keep your ears begging for more after the album ends at nearly 30 minutes, which need I remind is a very impressive feat for any sort of debut. The band truly shines with their unique style ever-reminiscent of J-Rock band, The Pillows, with amazing tracks such as "Hi-Q." The shining moment of Bam Bam is "Sin Las Patas Traseras," which sounds like the Mexican version of long lost Canadian-twin song, "Superconnected" by Broken Social Scene, as Bam Bam allows the song to lavish in huge, sheer, speaker-breaking walls of sound and wild dissonance, proving that they can easily stand nose to nose with true veterans in the field.

The true spirit of Bam Bam's debut is that of wild parties, tonnes of energy, ecstatic atmosphere, and the best music to be heard from Central America. Released on March 19th, via Nene Records of Monterrey, Mexico, the album is presently available through the Nene Record website for free download. You can also snag yourself physical copy of Bam Bam if you get in contact with lead vocalist/guitarist Mou at [mou@gmail.com]. This is an album of 2008 that you are definitely not going to want to miss, from a band that proves Mexico has a fair point to make with their own brand of indie rock.

Wednesday, March 19, 2008

Canaddiction



So I'll be frank, I listen to a lot of Canadian bands. In fact, I just love the country of Canada as a whole (even though I'm stuck down here in Texas). I have even considered attending Concordia or McGill University in Montreal sometime in the near future, and the possible prospect of following in the footsteps of Win Butler (see Arcade Fire) and immigrating.

The point is, despite my strange obsession with the county of the red Maple Leaf, they have endowed TONNES of great music. The entire Arts & Crafts label (as far as I know), except for Los Campesinos! (from the UK) is based out of Canada. Feist, Kevin Drew, Amy Millan, Emily Haines, Stars, Metric, Do Make Say Think, The Most Serene Republic... There is The Arcade Fire, and all their connections: Bell Orchestre, Final Fantasy (see Owen Pallet)... for those with more extensive tastes, there is also Godspeed You! Black Emperor and all their subsets: A Silver Mount Zion, Set Fire To Flames, Fly Pan Am... Let's not even begin to forget bands like Wolf Parade, Islands, The Unicorns, Holy Fuck, Tegan & Sara... the list goes on, and on, and on.

Well, I happened upon a little blog that is all about Canadian music! It's called Canaddiction, and provides the latest and greatest Canadian rarities, live performances, etc. from many of your favourite bands. I'm not going to lie, there are some awesome songs up for download there. If you're like your music quirky and beautiful like their respective country, go check out Canaddiction as quickly as you can!

On a completely unrelated, non-musical note Ibi Kaslik is one of the coolest modern authors around. She happens to also be from Canada, and has a book out right now called Skinny. I'm almost done with it, and it's quite amazing. If you happen upon it, I suggest picking it up (even if you don't think you'll be interested because of the subject material). And for you Broken Social Scene fans, if you were wondering, yes, Ibi Kaslik is who the song "Ibi Dreams Of Pavement (A Better Day)" was named after.

Tuesday, March 18, 2008

Band of the Week: Ra Ra Riot


[March 17-23]
Ra Ra Riot
Sounds Like: Indie-Pop / Electronic
Drinking Buddies: Vampire Weekend, Tokyo Police Club
Synopsis: Their name says it all, really.
Makes You Want To...: Dance; Party; Sing
[Myspace]




One week, one band. You know the drill.
This week, the featured artist is Ra Ra Riot.


Whew, covering South By Southwest, even from here, was tough work. Thankfully though, I'm on spring break finally, and I can sit back and relax. And of course listen to some great music.

Ra Ra Riot is a crazy, high-energy band that is ambling out of Syracuse, New York. They have a nifty, novel, fast-paced style of indie-pop which blows speakers and makes smiles everywhere they go. I would say that their shows were tame if that were anywhere near the truth. Ra Ra Riot's shining moments seem to be their live performances, where they, as the kids these days say, "break it down."

Ra Ra Riot presently has one album, their self-titled EP, released. It's definitely an album you don't want to be missing. They're also touring the United States at the moment, and you can see them live if they mosey to your town. Obviously, they have a Myspace. But I recommend looking at this snazzy live performance as well.

Sunday, March 16, 2008

A Week of SXSW 2008: Everthus The Deadbeats


[March 15]
Everthus The Deadbeats
Sounds Like: Avant-Garde/Experimental
Drinking Buddies: Margot & The Nuclear So-and-So's, Everything Now!, The Rocky Horror Picture Show[?]
Synopsis: Take all your logic, put in a blender, and begin.
Appearances at SXSW:
  • SXSW Blowout - Dallas, Texas [8:00, March 16th]
[Myspace]




All this week, Voilà! is covering South By Southwest!
The final day, and it's time for the seventh Voilà! featurette.
Today, the featured SXSW artist is Everthus The Deadbeats.


And then it was over. South By Southwest has come and gone. The parties all died with the night, and though a few brave bands and listeners remain on Sunday, the majority has left town as if it were Dodge City. The bands have spread out, back across the country, and are now returning home to recollect and retrospect, or go spread their sound to even more people.

One of those bands still spreading the sound happens to be Everthus The Deadbeats. These guys out of everyday-ol'-Indiana play avant-garde music. If you listened to Pterodactyl, you'll know that avant music is pushes the boundaries of what we consider music - what we consider interesting to listen to. Everthus The Deadbeats play a skewed, incredibly off-kilter sort of pop song, which sounds like it's going over the deep end, or has had a bit too much acid. All sorts of instruments follow the constant beats and the rhythms of twisted melodies. Singing is not simply an extension for poetry, but an instrument in itself. There songs don't make sense - yet they are an epiphany. It is all like a weird dream, quite honestly. Words cannot express - you simply have to see (or in this case, hear).

Everthus The Deadbeats presently have two or three albums out, for sure John Kill & The Microscopic Lullaby, as well as Adducts Stuck in Traffic!, as well as a split LP with fellow label mates Everything, Now! They will be touring throughout March and into April.

Well, SXSW has basically come to a close, but not all of the artists are ending their Texan adventures without a big bang. Everthus The Deadbeats are teaming up with a few other SXSW artists for a big blowout bash at Club Dada, in Dallas, TX, at 8:00 tonight. Sounds like a blast. I hope all who were in Austin this week enjoyed themselves, and that all you readers enjoyed the coverage! Until next year, SXSW, we kiss you gloriously goodbye!

Saturday, March 15, 2008

A Week of SXSW 2008: Pterodactyl


[March 15]
Pterodactyl
Sounds Like: Avant-Garde/Experimental
Drinking Buddies: Parts & Labor, Blood Brothers, Polvo
Synopsis: Noise rock at it's finest.
Appearances at SXSW:
  • Spiderhouse (New York Night Train) [5:00PM, March 15]
[Myspace]




All this week, Voilà! is covering South By Southwest!
Night of the fourth day, and it's time for the sixth Voilà! featurette.
Tonight, the featured SXSW artist is Pterodactyl.


The whole point that SXSW strives toward is getting people together to listen to great music. But the key is, listening to great NEW music. Bands you haven't heard - bands you might not ever hear unless they played there. It can be a make or break situation for any little band to get big. But SXSW, if you look closely, is our binoculars to the future of music. We get to see a whole slew of bands that haven't made it yet, and judge for ourselves where music is heading. We get to see strange experimentations and interesting sounds.

Then we hear Pterodactyl, which is comprised of strangers from New York, who play a style that doesn't always get a prominent place in musical discussion: noise rock. Noise rock, for those who don't know, is exactly what you might imagine if you heard the phrase. Loud, dissonant, often discontorted, wild, insane, and out of control noise, melodies, sounds, and just about everything else you can imagine, from all directions. The most controlled version of this I know is The Blood Brothers, who adds screaming to the picture for an even more chaotic sound.

Pterodactyl is something like Islands, except with all the parallel universe goatees. They are based primarily in an electronic sort of sound, but instead of forming poppy songs, they form rampant craziness. It's wild and unrestrained, and a lot of fun to listen to if you appreciate all sorts of music.

As of now, Pterodactyl has one LP, their untitled but colloquially named album, Blue Jay, as well as two EPs, I Can See A River, and Friday, During The Day, which are only available in vinyl through mail order or at their shows. And unfortunately, due to complicated circumstances involving a computer, I couldn't post this earlier. Pterodactyl's last SXSW performance was today at 5:00 PM, at the Spiderhouse. Luckily, they are launching a small American tour which will leak into Canada over the next month. Have fun, everyone, on your last big night of music-parties!

A Week of SXSW 2008: Tacks, The Boy Disaster


[March 15]
Tacks, The Boy Disaster
Sounds Like: Experimental/Folk
Drinking Buddies: Peter and the Wolf, Midlake, The Polyphonic Spree
Synopsis: Art-pop, if you can imagine it.
Appearances at SXSW:
  • SXSW KVRX Day Party (3:00 PM, March 15)
[Myspace]




All this week, Voilà! is covering South By Southwest!
Day four, and it's time for the fifth Voilà! featurette.
Today, the featured SXSW artist is Tacks, The Boy Disaster.



The number of remaining shows are winding down. Day four of South By Southwest is really one of the last, because by this time tomorrow, most of the parties will have died down, the streets will be cleaned, and all of the bands that everyone so eagerly anticipated will have come and gone. SXSW 2008 will be over, but not forgotten. But why get sentimental now? There's one more big day of music ahead of us!

Tacks, The Boy Disaster comes right out of SXSW home, Austin, Texas (along with The Octopus Project). This Texas quartet plays artfully melodic piano-orriented songs which ebb and flow through your cerebellum, only causing the most intense pleasures of audio euphoria. Their style is slower and more quiet than the other bands I've featured this week, but that in no way inhibits their beautiful, eloquent musical style. In fact, Tacks, The Boy Disaster is the only band I knew about beforehand - I caught part of their performance at last summer's Wall Of Sound Festival.

Tacks, The Boy Disaster currently has one full length LP, Oh Beatrice, which they released last year. If you hadn't guessed it, they also have a Myspace. They've been touring sparingly, and say that they're working on new material... promised to reach our ears, at the latest, by 2014... Okay, so it's a long way off still, but we can dream!

As for SXSW, Tacks The Boy Disaster has literally been all over town, with three performances before today. Their last performance will be at the KVRX Live Day Party, at 3:00 PM, today. Be sure not to miss it!